Hampered by an overly doting embrace of the original
Ghostbusters and structured as a series of vignettes, Ghostbusters (2016) is an
entertaining if slight movie. Crafted by Bridesmaid's Paul Feig, and starring
four of the funniest women in show business as the titular heroes, the film
fails to be more than setups and punchlines for mediocre one-off jokes. I
finished the film entertained though feeling an ‘R” rated cut must exist and
like Feig’s other improv heavy outings, would be better for it. Ghostbusters
(2016) seems constrained as it attempts to tell a coherent story with meaningful
characters.
Chris Hemsworth shines in his scene stealing receptionist Kevin, clearly delighted to play comic relief instead of hero and Kate McKinnon embraces the on-the-spectrum intensity and joy of Holtzmann. Melissa McCarthy and Krisitin Wiig are handcuffed by playing essentially the same character with different ticks, with both Erin Gilbert and Abby Yates as well-meaning women. Leslie Jones sparkles as Patty Tolan, amateur NYC historian and general sass machine with a heart of gold.
Chris Hemsworth shines in his scene stealing receptionist Kevin, clearly delighted to play comic relief instead of hero and Kate McKinnon embraces the on-the-spectrum intensity and joy of Holtzmann. Melissa McCarthy and Krisitin Wiig are handcuffed by playing essentially the same character with different ticks, with both Erin Gilbert and Abby Yates as well-meaning women. Leslie Jones sparkles as Patty Tolan, amateur NYC historian and general sass machine with a heart of gold.
Without any inherent conflict between the main characters,
Ghostbusters (2016) loses the rapport of the original and lacks any dynamic
range of drama. Unfortunately, huge swaths of connective tissue appear to be
missing or cut for time as the movie lurches from set piece to set piece,
missing the nuanced control of films like Spy or The Heat. Ghostbusters (2016)
plays like a fans collection of ideas inspired by the original film without a
story to hold the pieces together.